Anyway, the first sequence of The Day of the Moon, shown today, was another very good example. I honestly can not remember a crisper tighter bit of storytelling in modern Who.
So, for about a minute I didn't understand what was going on, but it was possible to hold in mind everything that was happening: people scribbling on their bodies, Canton shooting the companions, the Silence are everywhere, the Tardis crew have worked it out and - and the scribbling is how they keep track - and the shootings were fakes - and it all fell together very rapidly. I was slightly disappointed that after the opening credits there was a bit of talky explanation, because I had been pleased that they didn't need to explain what we had just seen. I suppose for the kids though.
This episode showed very effective storytelling, going at a much faster pace than usual. The script was crisp and neat, while the structure and the plot were complex - this is the perfect way round - tell a complex story in a sharp way. I was impressed. It assumed an intelligent audience, and expected you to keep up.
I could have done without the shoot-em-up resolution: I think it's a good discipline to keep reliance on ordnance to a minimum, and that discipline also distinguishes this show from the run of the mill. People will say there's been shooting before - well, no doubt, but I would prefer none.
(Obviously I don't mind TV gunfighting in general, I just think the aesthetic of Who is a distinct one, and works better without resorting to this type of scene)
There are a lot of explanations still to come. I have no idea who the female Travis was, peeking through a window which then disappeared, she said something like 'She's still dreaming' - but that could be fun to find out.
Best script I've seen so far for this Doctor. I think Moffat is at the top of his game, and he doesn't care who knows it.